Leo X, page 60

Martin Luther King Jr., page 70

Ne Win, page 74

O. J. Simpson, page 78

Pedro l, page 84

Queen Juliana, page 88

Rafael Pombo, page 90

Sacagawea, page 92

T. H. White, page 94

U Nu, page 96

V. S. Naipaul, page 110

Walt Whitman, page 112

Xenophanes of Colophon, page 116

Yani Tseng, page 118

Zhou Youguang, page 120

is for A. A. Milne

Alan Alexander Milne (/mɪln/; 18 January 1882 – 31 January 1956) was an English writer best known for his books about the teddy bear Winnie-the-Pooh, as well as children's poetry. Milne was primarily a playwright before the huge success of Winnie-the-Pooh overshadowed his previous work. He served as a lieutenant in the Royal Warwickshire Regiment in the First World War and as a captain in the Home Guard in the Second World War.

Milne was the father of bookseller Christopher Robin Milne, upon whom the character Christopher Robin is based. It was during a visit to London Zoo, where Christopher became enamoured with the tame and amiable bear Winnipeg, that Milne was inspired to write the story of Winnie-the-Pooh for his son. Milne bequeathed the original manuscripts of the Winnie-the-Pooh stories to the Wren Library at Trinity College, Cambridge, his alma mater.

is for Benny Goodman

Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did phenomenally well commercially.

From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."

Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He continued performing until the end of his life while pursuing an interest in classical music.

is for C. S. Lewis

Clive Staples Lewis (29 November 1898 – 22 November 1963) was a British writer, literary scholar, and Anglican lay theologian. He held academic positions in English literature at both Magdalen College, Oxford (1925–1954), and Magdalene College, Cambridge (1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles, and The Problem of Pain.

Lewis was a close friend of J. R. R. Tolkien, author of The Lord of the Rings. Both men served on the English faculty at Oxford University and were active in the informal Oxford literary group known as the Inklings. According to Lewis's 1955 memoir Surprised by Joy, he was baptized in the Church of Ireland but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.

Lewis wrote more than 30 books which have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularized on stage, TV, radio, and cinema. His philosophical writings are widely cited by Christian scholars from many

denominations.

In 1956, Lewis married American writer Joy Davidman; she died of cancer four years later at the age of 45. Lewis died on 22 November 1963 from kidney failure, at age 64. In 2013, on the 50th anniversary of his death, Lewis was honoured with a memorial in Poets' Corner in Westminster Abbey.

Lewis began his academic career as an undergraduate student at Oxford University, where he won a triple first, the highest honours in three areas of study. He was then elected a Fellow of Magdalen College, Oxford, where he worked for nearly thirty years, from 1925 to 1954. In 1954, he was awarded the newly founded chair of Mediaeval and Renaissance Literature at Cambridge University, and was elected a fellow of Magdalene College. Concerning his appointed academic field, he argued that there was no such thing as an English Renaissance. Much of his scholarly work concentrated on the later Middle Ages, especially its use of allegory. His The Allegory of Love (1936) helped reinvigorate the serious study of late medieval narratives such as the Roman de la Rose.

Lewis was commissioned to write the volume English Literature in the Sixteenth Century (Excluding Drama) for the Oxford History of English Literature. His book A Preface to Paradise Lost is still cited as a criticism of that work. His last academic work, The Discarded Image: An Introduction to Medieval and Renaissance Literature (1964), is a summary of the medieval world view, a reference to the "discarded image" of the cosmos.

Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren

Lewis. Glyer points to December 1929 as the Inklings' beginning date. Lewis's friendship with Coghill and Tolkien grew during their time as members of the Kolbítar, an Old Norse reading group that Tolkien founded and which ended around the time of the inception of the Inklings. At Oxford, he was the tutor of poet John Betjeman, critic Kenneth Tynan, mystic Bede Griffiths, novelist Roger Lancelyn Green and Sufi scholar Martin Lings, among many other undergraduates. The religious and conservative Betjeman detested Lewis, whereas the anti-establishment Tynan retained a lifelong admiration for him.

Of Tolkien, Lewis writes in Surprised by Joy:

In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption.

His first novel after becoming a Christian was The Pilgrim's Regress (1933), which depicted his journey to Christianity in the allegorical style of John Bunyan's The Pilgrim's Progress. The book was poorly received by critics at the time, although David Martyn Lloyd-Jones, one of Lewis's contemporaries at Oxford, gave him much-valued encouragement. Asked by Lloyd-Jones when he would write another book, Lewis replied, "When I understand the meaning of prayer."

The Space Trilogy (also called the Cosmic Trilogy or Ransom Trilogy) dealt with what Lewis saw as the dehumanizing trends in contemporary science fiction. The first book, Out of the Silent Planet, was apparently written following a conversation with his friend J. R. R. Tolkien about these trends. Lewis agreed to write a "space travel" story and Tolkien a "time travel" one, but Tolkien never completed "The Lost Road", linking his Middle-earth to the modern world. Lewis's main character Elwin Ransom is based in part on Tolkien, a fact to which Tolkien alludes in his letters.

The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend.

Many ideas in the trilogy, particularly opposition to dehumanization as portrayed in the third book, are presented more formally in The Abolition of Man, based on a series of lectures by Lewis at Durham University in 1943. Lewis stayed in Durham, where he says he was overwhelmed by the magnificence of the cathedral. That Hideous Strength is in fact set in the environs of "Edgestow" university, a small

English university like Durham, though Lewis disclaims any other resemblance between the two.

Walter Hooper, Lewis's literary executor, discovered a fragment of another science-fiction novel apparently written by Lewis called The Dark Tower. Ransom appears in the story but it is not clear whether the book was intended as part of the same series of novels. The manuscript was eventually published in 1977, though Lewis scholar Kathryn Lindskoog doubts its authenticity.

The Chronicles of Narnia, considered a classic of children's literature, is a series of seven fantasy novels. Written between 1949 and 1954 and illustrated by Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages (Kelly 2006) (Guthmann 2005). It has been adapted several times, complete or in part, for radio, television, stage and cinema. In 1956, the final novel in the series, The Last Battle, won the Carnegie Medal.

The books contain Christian ideas intended to be easily accessible to young readers. In addition to Christian themes, Lewis also borrows characters from Greek and Roman mythology, as well as traditional British and Irish fairy tales.

Lewis's last novel, Till We Have Faces, a retelling of the myth of Cupid and Psyche, was published in 1956. Although Lewis called it "far and away my best book", it was not as well-reviewed as his previous work.

Lewis wrote several works on Heaven and Hell. One of these, The Great Divorce, is a short novella in which a few residents of Hell take a bus ride to Heaven, where they are met by people who dwell there. The proposition is that they can stay if they choose, in which case they can call the place where they had come from "Purgatory", instead of "Hell", but many find it not to their taste. The title is a reference to William Blake's The Marriage of Heaven and Hell, a concept that Lewis found a "disastrous error". This work deliberately echoes two other more famous works with a similar theme: the Divine Comedy of Dante Alighieri, and Bunyan's The Pilgrim's Progress.

Another short work, The Screwtape Letters, which he dedicated to J. R. R. Tolkien, consists of letters of advice from senior demon Screwtape to his nephew Wormwood on the best ways to tempt a particular human and secure his damnation. Lewis's last novel was Till We Have Faces, which he thought of as his most mature and masterly work of fiction but which was never a popular success. It is a retelling of the myth of Cupid and Psyche from the unusual perspective of Psyche's sister. It is deeply concerned with religious ideas, but the setting is entirely pagan, and the connections with specific Christian beliefs are left implicit.

Before Lewis's conversion to Christianity, he published two books: Spirits in Bondage, a collection of poems, and Dymer, a single narrative poem. Both were published under the pen name Clive Hamilton. Other narrative poems have since been

published posthumously, including Launcelot, The Nameless Isle, and The Queen of Drum.

He also wrote The Four Loves, which rhetorically explains four categories of love: friendship, eros, affection, and charity.

In 2009, a partial draft was discovered of Language and Human Nature, which Lewis had begun co-writing with J. R. R. Tolkien, but which was never completed.

In 2024 an original poem was discovered in a collection of documents in Special Collections at the University of Leeds. Its Old English title, "Mód Þrýþe Ne Wæg", is not easily translated into modern English and references the epic poem Beowulf. The poem was addressed to professor of English Eric Valentine Gordon and his wife Dr Ida Gordon. It was written under the pen name Nat Whilk, meaning "someone" in Old English.

Lewis is also regarded by many as one of the most influential Christian apologists of his time, in addition to his career as an English professor and an author of fiction. Mere Christianity was voted best book of the 20th century by Christianity Today in 2000. He has been called "The Apostle to the Skeptics" due to his approach to religious belief as a sceptic, and his following conversion.

Lewis was very interested in presenting an argument from reason against metaphysical naturalism and for the existence of God. Mere Christianity, The Problem of Pain, and Miracles were all concerned, to one degree or another, with refuting popular objections to Christianity, such as the question, "How could a good God allow pain to exist in the world?" He also became a popular lecturer and broadcaster, and some of his writing originated as scripts for radio talks or lectures (including much of Mere Christianity).

According to George Sayer, losing a 1948 debate with Elizabeth Anscombe, also a Christian, led Lewis to re-evaluate his role as an apologist, and his future works concentrated on devotional literature and children's books. Anscombe had a completely different recollection of the debate's outcome and its emotional effect on Lewis. Victor Reppert also disputes Sayer, listing some of Lewis's post-1948 apologetic publications, including the second and revised edition of his Miracles in 1960, in which Lewis addressed Anscombe's criticism. Noteworthy too is Roger Teichman's suggestion in The Philosophy of Elizabeth Anscombe that the intellectual impact of Anscombe's paper on Lewis's philosophical self-confidence should not be over-rated: "... it seems unlikely that he felt as irretrievably crushed as some of his acquaintances have made out; the episode is probably an inflated legend, in the same category as the affair of Wittgenstein's Poker. Certainly, Anscombe herself believed that Lewis's

argument, though flawed, was getting at something very important; she thought that this came out more in the improved version of it that Lewis presented in a subsequent edition of Miracles – though that version also had 'much to criticize in it'."

Lewis wrote an autobiography titled Surprised by Joy, which places special emphasis on his own conversion. He also wrote many essays and public speeches on Christian belief, many of which were collected in God in the Dock and The Weight of Glory and Other Addresses.

His most famous works, the Chronicles of Narnia, contain many strong Christian messages and are often considered allegory. Lewis, an expert on the subject of allegory, maintained that the books were not allegory, and preferred to call the Christian aspects of them "suppositional". As Lewis wrote in a letter to a Mrs. Hook in December 1958:

Prior to his conversion, Lewis used the word "Moslem" to refer to Muslims, adherents of Islam; following his conversion, however, he started using "Mohammedans" and described Islam as a Christian heresy rather than an independent religion.

In a much-cited passage from Mere Christianity, Lewis challenged the view that Jesus was a great moral teacher but not God. He argued that Jesus made several implicit claims to divinity, which would logically exclude that claim:

Although this argument is sometimes called "Lewis's trilemma", Lewis did not invent it but rather developed and popularized it. It has also been used by Christian apologist Josh McDowell in his book More Than a Carpenter. It has been widely repeated in Christian apologetic literature but largely ignored by professional theologians and biblical scholars.

Lewis's Christian apologetics, and this argument in particular, have been criticized. Philosopher John Beversluis described Lewis's arguments as "textually careless and theologically unreliable", and this particular argument as logically unsound and an example of a false dilemma. The Anglican New Testament scholar N. T. Wright criticizes Lewis for failing to recognize the significance of Jesus's Jewish identity and setting – an oversight which "at best, drastically short-circuits the argument" and which lays Lewis open to criticism that his argument "doesn't work as history, and it backfires dangerously when historical critics question his reading of the gospels", although he argues that this "doesn't undermine the eventual claim".

Lewis used a similar argument in The Lion, the Witch and the Wardrobe, when the old Professor advises his young guests that their sister's claims of a magical world must logically be taken as either lies, madness, or truth.

One of the main theses in Lewis's apologia is that there is a common morality known throughout humanity, which he calls "natural law". In the first five chapters of Mere

Christianity, Lewis discusses the idea that people have a standard of behaviour to which they expect people to adhere. Lewis claims that people all over the earth know what this law is and when they break it. He goes on to claim that there must be someone or something behind such a universal set of principles.

Lewis also portrays Universal Morality in his works of fiction. In The Chronicles of Narnia he describes Universal Morality as the "deep magic" which everyone knew.

In the second chapter of Mere Christianity, Lewis recognizes that "many people find it difficult to understand what this Law of Human Nature ... is." And he responds first to the idea "that the Moral Law is simply our herd instinct" and second to the idea "that the Moral Law is simply a social convention". In responding to the second idea Lewis notes that people often complain that one set of moral ideas is better than another, but that this actually argues for there existing some "Real Morality" to which they are comparing other moralities. Finally, he notes that sometimes differences in moral codes are exaggerated by people who confuse differences in beliefs about morality with differences in beliefs about facts:

Lewis also had fairly progressive views on the topic of "animal morality", in particular the suffering of animals, as is evidenced by several of his essays: most notably, On Vivisection and "On the Pains of Animals".

Lewis continues to attract a wide readership. In 2008, The Times ranked him eleventh on their list of "the 50 greatest British writers since 1945". Readers of his fiction are often unaware of what Lewis considered the Christian themes of his works. His Christian apologetics are read and quoted by members of many Christian denominations. In 2013, on the 50th anniversary of his death, Lewis joined some of Britain's greatest writers recognized at Poets' Corner, Westminster Abbey. The dedication service, at noon on 22 November 2013, included a reading from The Last Battle by Douglas Gresham, younger stepson of Lewis. Flowers were laid by Walter Hooper, trustee and literary advisor to the Lewis Estate. An address was delivered by former Archbishop of Canterbury Rowan Williams. The floor stone inscription is a quotation from an address by Lewis:

Lewis has been the subject of several biographies, a few of which were written by close friends, such as Roger Lancelyn Green and George Sayer. In 1985, the screenplay Shadowlands by William Nicholson dramatized Lewis's life and relationship with Joy Davidman Gresham. It was aired on British television starring Joss Ackland and Claire Bloom. This was also staged as a theatre play starring Nigel Hawthorne in 1989 and made into the 1993 feature film Shadowlands starring Anthony Hopkins and Debra Winger.

Many books have been inspired by Lewis, including A Severe Mercy by his

correspondent and friend Sheldon Vanauken. The Chronicles of Narnia has been particularly influential. Modern children's literature has been more or less influenced by Lewis's series, such as Daniel Handler's A Series of Unfortunate Events, Eoin Colfer's Artemis Fowl, Philip Pullman's His Dark Materials, and J. K. Rowling's Harry Potter. Pullman is an atheist and is known to be sharply critical of C. S. Lewis's work, accusing Lewis of featuring religious propaganda, misogyny, racism, and emotional sadism in his books. However, he has also modestly praised The Chronicles of Narnia for being a "more serious" work of literature in comparison with Tolkien's "trivial" The Lord of the Rings. Authors of adult fantasy literature such as Tim Powers have also testified to being influenced by Lewis's work.

Most of Lewis's posthumous work has been edited by his literary executor Walter Hooper. Kathryn Lindskoog, an independent Lewis scholar, argued that Hooper's scholarship is not reliable and that he has made false statements and attributed forged works to Lewis. Lewis's stepson, Douglas Gresham, denies the forgery claims, saying that "[t]he whole controversy thing was engineered for very personal reasons ... Her fanciful theories have been pretty thoroughly discredited."

A bronze statue of Lewis's character Digory from The Magician's Nephew stands in Belfast's Holywood Arches in front of the Holywood Road Library.

Several C. S. Lewis Societies exist around the world, including one which was founded

in Oxford in 1982. The C.S. Lewis Society at the University of Oxford meets at Pusey House during term time to discuss papers on the life and works of Lewis and the other Inklings, and generally appreciate all things Lewisian.

Live-action film adaptations have been made of three of The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (2005), Prince Caspian (2008) and The Voyage of the Dawn Treader (2010).

Lewis is featured as a main character in The Chronicles of the Imaginarium Geographica series by James A. Owen. He is one of two characters in Mark St. Germain's 2009 play Freud's Last Session, which imagines a meeting between Lewis, aged 40, and Sigmund Freud, aged 83, at Freud's house in Hampstead, London, in 1939, as the Second World War is about to break out. In 2023, Freud's Last Session was released as a movie starring Anthony Hopkins as Freud and Matthew Goode as Lewis. The movie had additional characters as well, including Anna Freud, played by Liv Lisa Fries.

In 2021, The Most Reluctant Convert, a biographical drama about Lewis's life and conversion, was released.

The CS Lewis Nature Reserve, on ground owned by Lewis, lies behind his house, The Kilns. There is public access.

is for D. H. Lawrence

David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels – Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.

Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.

is for Edward l

Edward I (17/18 June 1239 – 7 July 1307), also known as Edward Longshanks and the Hammer of the Scots (Latin: Malleus Scotorum), was King of England from 1272 to 1307. Concurrently, he was Lord of Ireland, and from 1254 to 1306 ruled Gascony as Duke of Aquitaine in his capacity as a vassal of the French king. Before his accession to the throne, he was commonly referred to as the Lord Edward. The eldest son of Henry III, Edward was involved from an early age in the political intrigues of his father's reign. In 1259, he briefly sided with a baronial reform movement, supporting the Provisions of Oxford. After reconciling with his father, he remained loyal throughout the subsequent armed conflict, known as the Second Barons' War. After the Battle of Lewes, Edward was held hostage by the rebellious barons, but escaped after a few months and defeated the baronial leader Simon de Montfort at the Battle of Evesham in 1265. Within two years, the rebellion was extinguished and, with England pacified, Edward left to join the Ninth Crusade to the Holy Land in 1270. He was on his way home in 1272 when he was informed of his father's death. Making a slow return, he reached England in 1274 and was crowned at Westminster Abbey.

Edward spent much of his reign reforming royal administration and common law. Through an extensive legal inquiry, he investigated the tenure of several feudal liberties. The law was reformed through a series of statutes regulating criminal and property law, but the King's attention was increasingly drawn towards military affairs. After suppressing a minor conflict in Wales in 1276–77, Edward responded to a second one in 1282–83 by conquering Wales. He then established English rule, built castles and towns in the countryside and settled them with English people. After the death of the heir to the Scottish throne, Edward was invited to arbitrate a succession dispute. He claimed feudal suzerainty over Scotland and invaded the country, and the ensuing First Scottish War of Independence continued after his death. Simultaneously, Edward found himself at war with France (a Scottish ally) after King Philip IV confiscated the Duchy of Gascony. The duchy was eventually recovered but the conflict relieved English military pressure against Scotland. By the mid-1290s, extensive military campaigns required high levels of taxation and this met with both lay and ecclesiastical opposition in England. In Ireland, he had extracted soldiers, supplies and money, leaving decay, lawlessness and a revival of the fortunes of his enemies in Gaelic territories. When the King died in 1307, he left to his son Edward II a war with Scotland and other financial and political burdens.

Edward's temperamental nature and height (6 ft 2 in, 188 cm) made him an

intimidating figure. He often instilled fear in his contemporaries, although he held the respect of his subjects for the way he embodied the medieval ideal of kingship as a soldier, an administrator, and a man of faith. Modern historians are divided in their assessment of Edward; some have praised him for his contribution to the law and administration, but others have criticised his uncompromising attitude towards his nobility. Edward is credited with many accomplishments, including restoring royal authority after the reign of Henry III and establishing Parliament as a permanent institution, which allowed for a functional system for raising taxes and reforming the law through statutes. At the same time, he is often condemned for vindictiveness, opportunism and untrustworthiness in his dealings with Wales and Scotland, coupled with a colonialist approach to their governance and to Ireland, and for antisemitic policies leading to the expulsion of the Jews from England in 1290.

is for Fabian Gottlieb von Bellingshausen

Faddey Faddeyevich Bellingshausen or Fabian Gottlieb Benjamin von Bellingshausen (20 September [O.S. 9 September] 1778 – 25 January [O.S. 13 January] 1852) was a Russian cartographer, explorer, and naval officer of Baltic German descent, who attained the rank of admiral. He participated in the first Russian circumnavigation of the globe, and subsequently became a leader of another circumnavigation expedition that discovered the continent of Antarctica. Like Otto von Kotzebue and Adam Johann von Krusenstern, Bellingshausen belonged to a cohort of prominent Baltic German navigators which helped Russia launch its naval expeditions.

Bellingshausen was born on the island of Saaremaa (Ösel), to the Bellingshausen family [de]. He started his service in the Russian Baltic Fleet, and after distinguishing himself joined the first Russian circumnavigation of the Earth in 1803–1806, serving on the merchant ship Nadezhda under the captaincy of Adam Johann von Krusenstern. After the journey, he published a collection of maps of the newly explored areas and islands of the Pacific Ocean. Subsequently, he commanded several ships of the Baltic and Black Sea Fleets.

As a prominent cartographer, Bellingshausen was appointed to command the Russian circumnavigation of the globe in 1819–1821, intended to explore the Southern Ocean and to find land in the proximity of the South Pole. Mikhail

Lazarev prepared the expedition and was made Bellingshausen's second-in-command and the captain of the sloop Mirny, while Bellingshausen himself commanded the sloop Vostok. During this expedition, Bellingshausen and Lazarev became the first explorers to see the land of Antarctica on 27 January 1820 (New Style), disproving James Cook's contention that it was impossible to find land in the southern ice-fields. They circumnavigated the continent twice and never lost each other from view. The expedition discovered and named Peter I, Zavodovski, Leskov, Alexander, and Visokoi Islands, the Antarctic Peninsula, and made other discoveries in the tropical waters of the Pacific.

Made captain-commodore [ru] on his return, Bellingshausen participated in the Russo-Turkish War of 1828–1829. Promoted to vice admiral, he again served in the Baltic Fleet in the 1830s. From 1839, he was a military governor of Kronstadt, and gained the rank of admiral in 1843. In 1831, he published the book on his Antarctic travels, called Double Investigation of the Southern Polar Ocean and the Voyage Around the World.

A great admirer of Cook's voyages, Bellingshausen served from 1803 in the first Russian circumnavigation of the Earth. He was one of the officers of the vessel Nadezhda ("Hope"), commanded by Adam Johann von Krusenstern. The mission was completed in 1806. After the journey, Bellingshausen published a collection of maps of the newly explored areas and islands of the Pacific Ocean.

is for George R. R. Martin

George Raymond Richard Martin (born George Raymond Martin; September 20, 1948) also known by the initials G.R.R.M. is an American author, television writer, and television producer. He is best known as the author of the series of epic fantasy novels A Song of Ice and Fire, which were adapted into the Primetime Emmy Award–winning television series Game of Thrones (2011–2019) and its prequel series House of the Dragon (2022–present). He also helped create the Wild Cards anthology series and contributed worldbuilding for the video game Elden Ring (2022).

In 2005, Lev Grossman of Time called Martin "the American Tolkien", and in 2011, he was included on the annual Time 100 list of the most influential people in the world. He is a longtime resident of Santa Fe, New Mexico, where he helped fund Meow Wolf and owns the Jean Cocteau Cinema. The city commemorates March 29 as George R. R. Martin Day.

is for H. P. Lovecraft

Howard Phillips Lovecraft (US: /ˈlʌvkræft/, UK: /ˈlʌvkrɑːft/; August 20, 1890 – March 15, 1937) was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. After his father's institutionalization in 1893, he lived affluently until his family's wealth dissipated after the death of his grandfather. Lovecraft then lived with his mother, in reduced financial security, until her institutionalization in 1919. He began to write essays for the United Amateur Press Association and in 1913 wrote a critical letter to a pulp magazine that ultimately led to his involvement in pulp fiction. He became active in the speculative fiction community and was published in several pulp magazines. Lovecraft moved to New York City, marrying Sonia Greene in 1924, and later became the center of a wider group of authors known as the "Lovecraft Circle". They introduced him to Weird Tales, which became his most prominent publisher. Lovecraft's time in New York took a toll on his mental state and financial conditions. He returned to Providence in 1926 and produced some of his most popular works, including The Call of Cthulhu, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time. He remained active as a writer for 11 years until his death from intestinal cancer at the age of 46.

Lovecraft's literary corpus is rooted in cosmicism, which was simultaneously his

personal philosophy and the main theme of his fiction. Cosmicism posits that humanity is an insignificant part of the cosmos and could be swept away at any moment. He incorporated fantasy and science fiction elements into his stories, representing the perceived fragility of anthropocentrism. This was tied to his ambivalent views on knowledge. His works were largely set in a fictionalized version of New England. Civilizational decline also plays a major role in his works, as he believed that the West was in decline during his lifetime. Lovecraft's early political views were conservative and traditionalist; additionally, he held a number of racist views for much of his adult life. Following the Great Depression, Lovecraft's political views became more socialist while still remaining elitist and aristocratic.

Throughout his adult life, Lovecraft was never able to support himself from his earnings as an author and editor. He was virtually unknown during his lifetime and was almost exclusively published in pulp magazines before his death. A scholarly revival of Lovecraft's work began in the 1970s, and he is now regarded as one of the most significant 20th-century authors of supernatural horror fiction. Many direct adaptations and spiritual successors followed. Works inspired by Lovecraft, adaptations or original works, began to form the basis of the Cthulhu Mythos, which utilizes Lovecraft's characters, setting, and themes.

His interest in weird fiction began in his childhood when his grandfather, who preferred Gothic stories, told him stories of his own design. Lovecraft's childhood home on Angell Street had a large library that contained classical literature, scientific works, and early weird fiction. At the age of five, Lovecraft enjoyed reading One Thousand and One Nights, and was reading Nathaniel Hawthorne a year later. He was also influenced by the travel literature of John Mandeville and Marco Polo. This led to his discovery of gaps in then-contemporary science, which prevented Lovecraft from committing suicide in response to the death of his grandfather and his family's declining financial situation during his adolescence. These travelogues may have also influenced how Lovecraft's later works describe their characters and locations. For example, there is a resemblance between the powers of the Tibetan enchanters in The Travels of Marco Polo and the powers unleashed on Sentinel Hill in "The Dunwich Horror".

One of Lovecraft's most significant literary influences was Edgar Allan Poe, whom he described as his "God of Fiction". Poe's fiction was introduced to Lovecraft when the latter was eight years old. His earlier works were significantly influenced by Poe's prose and writing style. He also made extensive use of Poe's unity of effect in his fiction. Furthermore, At the Mountains of Madness directly quotes Poe and was influenced by The Narrative of Arthur Gordon Pym of Nantucket. One of the main

themes of the two stories is to discuss the unreliable nature of language as a method of expressing meaning. In 1919, Lovecraft's discovery of the stories of Lord Dunsany moved his writing in a new direction, resulting in a series of fantasies. Throughout his life, Lovecraft referred to Dunsany as the author who had the greatest impact on his literary career. The initial result of this influence was the Dream Cycle, a series of fantasies that originally take place in prehistory, but later shift to a dreamworld setting. By 1930, Lovecraft decided that he would no longer write Dunsanian fantasies, arguing that the style did not come naturally to him. Additionally, he also read and cited Arthur Machen and Algernon Blackwood as influences in the 1920s.

Aside from horror authors, Lovecraft was significantly influenced by the Decadents, the Puritans, and the Aesthetic movement. In "H. P. Lovecraft: New England Decadent", Barton Levi St. Armand, a professor emeritus of English and American studies at Brown University, has argued that these three influences combined to define Lovecraft as a writer. He traces this influence to both Lovecraft's stories and letters, noting that he actively cultivated the image of a New England gentleman in his letters. Meanwhile, his influence from the Decadents and the Aesthetic Movement stems from his readings of Edgar Allan Poe. Lovecraft's aesthetic worldview and fixation on decline stems from these readings. The idea of cosmic decline is described as having been Lovecraft's response to both the Aesthetic Movement and the 19th

century Decadents. St. Armand describes it as being a combination of non-theological Puritan thought and the Decadent worldview. This is used as a division in his stories, particularly in "The Horror at Red Hook", "Pickman's Model", and "The Music of Erich Zann". The division between Puritanism and Decadence, St. Armand argues, represents a polarization between an artificial paradise and oneiriscopic visions of different worlds.

A non-literary inspiration came from then-contemporary scientific advances in biology, astronomy, geology, and physics. Lovecraft's study of science contributed to his view of the human race as insignificant, powerless, and doomed in a materialistic and mechanistic universe. Lovecraft was a keen amateur astronomer from his youth, often visiting the Ladd Observatory in Providence, and penning numerous astronomical articles for his personal journal and local newspapers. Lovecraft's materialist views led him to espouse his philosophical views through his fiction; these philosophical views came to be called cosmicism. Cosmicism took on a more pessimistic tone with his creation of what is now known as the Cthulhu Mythos, a fictional universe that contains alien deities and horrors. The term "Cthulhu Mythos" was likely coined by later writers after Lovecraft's death. In his letters, Lovecraft jokingly called his fictional mythology "Yog-Sothothery".

Dreams had a major role in Lovecraft's literary career. In 1991, as a result of his rising

place in American literature, it was popularly thought that Lovecraft extensively transcribed his dreams when writing fiction. However, the majority of his stories are not transcribed dreams. Instead, many of them are directly influenced by dreams and dreamlike phenomena. In his letters, Lovecraft frequently compared his characters to dreamers. They are described as being as helpless as a real dreamer who is experiencing a nightmare. His stories also have dreamlike qualities. The Randolph Carter stories deconstruct the division between dreams and reality. The dreamlands in The Dream-Quest of Unknown Kadath are a shared dreamworld that can be accessed by a sensitive dreamer. Meanwhile, in "The Silver Key", Lovecraft mentions the concept of "inward dreams", which implies the existence of outward dreams. Burleson compares this deconstruction to Carl Jung's argument that dreams are the source of archetypal myths. Lovecraft's way of writing fiction required both a level of realism and dreamlike elements. Citing Jung, Burleson argues that a writer may create realism by being inspired by dreams.

The central theme of Lovecraft's corpus is cosmicism. Cosmicism is a literary philosophy that argues that humanity is an insignificant force in the universe. Despite appearing pessimistic, Lovecraft thought of himself as being a cosmic indifferentist, which is expressed in his fiction. In it, human beings are often subject to powerful beings and other cosmic forces, but these forces are not so much malevolent as they are indifferent toward humanity. He believed in a meaningless, mechanical, and uncaring universe that human beings could never fully understand. There is no allowance for beliefs that could not be supported scientifically. Lovecraft first articulated this philosophy in 1921, but he did not fully incorporate it into his fiction until five years later. "Dagon", "Beyond the Wall of Sleep", and "The Temple" contain early depictions of this concept, but the majority of his early tales do not analyze the concept. "Nyarlathotep" interprets the collapse of human civilization as being a corollary to the collapse of the universe. "The Call of Cthulhu" represents an intensification of this theme. In it, Lovecraft introduces the idea of alien influences on humanity, which came to dominate all subsequent works. In these works, Lovecraft expresses cosmicism through the usage of confirmation rather than revelation. Lovecraftian protagonists do not learn that they are insignificant. Instead, they already know it and have it confirmed to them through an event.

Lovecraft's fiction reflects his own ambivalent views regarding the nature of knowledge. This expresses itself in the concept of forbidden knowledge. In Lovecraft's stories, happiness is only achievable through blissful ignorance. Trying to know things that are not meant to be known leads to harm and psychological danger. This concept intersects with several other ideas. This includes the idea that the visible reality is an illusion masking the horrific true reality. Similarly, there are also intersections with the concepts of ancient civilizations that exert a malign influence on humanity and the general philosophy of cosmicism. According to Lovecraft, self-knowledge can bring ruin to those who seek it. Those seekers would become aware of their own insignificance in the wider cosmos and would be unable to bear the weight of this knowledge. Lovecraftian horror is not achieved through external phenomena. Instead, it is reached through the internalized psychological impact that knowledge has on its protagonists. "The Call of Cthulhu", The Shadow over Innsmouth, and The Shadow Out of Time feature protagonists who experience both external and internal horror through the acquisition of self-knowledge. The Case of Charles Dexter Ward also reflects this. One of its central themes is the danger of knowing too much about one's family history. Charles Dexter Ward, the protagonist, engages in historical and

genealogical research that ultimately leads to both madness and his own self-destruction.

For much of his life, Lovecraft was fixated on the concepts of decline and decadence. More specifically, he thought that the West was in a state of terminal decline. Starting in the 1920s, Lovecraft became familiar with the work of the German conservative-revolutionary theorist Oswald Spengler, whose pessimistic thesis of the decadence of the modern West formed a crucial element in Lovecraft's overall anti-modern worldview. Spenglerian imagery of cyclical decay is a central theme in At the Mountains of Madness. S. T. Joshi, in H. P. Lovecraft: The Decline of the West, places Spengler at the center of his discussion of Lovecraft's political and philosophical ideas. According to him, the idea of decline is the single idea that permeates and connects his personal philosophy. The main Spenglerian influence on Lovecraft was his view that politics, economics, science, and art are all interdependent aspects of civilization. This realization led him to shed his personal ignorance of then-current political and economic developments after 1927. Lovecraft had developed his idea of Western decline independently, but Spengler gave it a clear framework.

Lovecraft shifted supernatural horror away from its previous focus on human issues to a focus on cosmic ones. In this way, he merged the elements of supernatural fiction that he deemed to be scientifically viable with science fiction. This merge required an understanding of both supernatural horror and then-contemporary science. Lovecraft used this combined knowledge to create stories that extensively reference trends in scientific development. Beginning with "The Shunned House", Lovecraft increasingly incorporated elements of both Einsteinian science and his own personal materialism into his stories. This intensified with the writing of "The Call of Cthulhu", where he depicted alien influences on humanity. This trend continued throughout the remainder of his literary career. "The Colour Out of Space" represents what scholars have called the peak of this trend. It portrays an alien lifeform whose otherness prevents it from being defined by then-contemporary science.

Another part of this effort was the repeated usage of mathematics in an effort to make his creatures and settings appear more alien. Tom Hull, a mathematician, regards this as enhancing his ability to invoke a sense of otherness and fear. He attributes this use of mathematics to Lovecraft's childhood interest in astronomy and his adulthood awareness of non-Euclidean geometry. Another reason for his use of

mathematics was his reaction to the scientific developments of his day. These developments convinced him that humanity's primary means of understanding the world was no longer trustable. Lovecraft's usage of mathematics in his fiction serves to convert otherwise supernatural elements into things that have in-universe scientific explanations. "The Dreams in the Witch House" and The Shadow Out of Time both have elements of this. The former uses a witch and her familiar, while the latter uses the idea of mind transference. These elements are explained using scientific theories that were prevalent during Lovecraft's lifetime.

Setting plays a major role in Lovecraft's fiction. A fictionalized version of New England serves as the central hub for his mythos, called "Lovecraft Country" by later commentators. It represents the history, culture, and folklore of the region, as interpreted by Lovecraft. These attributes are exaggerated and altered to provide a suitable setting for his stories. The names of the locations in the region were directly influenced by the names of real locations in the region, which was done to increase their realism. Lovecraft's stories use their connections with New England to imbue themselves with the ability to instill fear. Lovecraft was primarily inspired by the cities

and towns in Massachusetts. However, the specific location of Lovecraft Country is variable, as it moved according to Lovecraft's literary needs. Starting with areas that he thought were evocative, Lovecraft redefined and exaggerated them under fictional names. For example, Lovecraft based Arkham on the town of Oakham and expanded it to include a nearby landmark. Its location was moved, as Lovecraft decided that it would have been destroyed by the recently-built Quabbin Reservoir. This is alluded to in "The Colour Out of Space", as the "blasted heath" is submerged by the creation of a fictionalized version of the reservoir. Similarly, Lovecraft's other towns were based on other locations in Massachusetts. Innsmouth was based on Newburyport, and Dunwich was based on Greenwich. The vague locations of these towns also played into Lovecraft's desire to create a mood in his stories. In his view, a mood can only be evoked through reading.

Early efforts to revise an established literary view of Lovecraft as an author of "pulp" were resisted by some eminent critics; in 1945, Edmund Wilson sneered: "the only real horror in most of these fictions is the horror of bad taste and bad art." However, Wilson praised Lovecraft's ability to write about his chosen field; he described him as having written about it "with much intelligence". According to L. Sprague de Camp, Wilson later improved his opinion of Lovecraft, citing a report of David Chavchavadze that Wilson included a Lovecraftian reference in Little Blue Light: A Play in Three Acts. After Chavchavadze met with him to discuss this, Wilson revealed that he was reading a copy of Lovecraft's correspondence. Two years before Wilson's critique, Lovecraft's works were reviewed by Winfield Townley Scott, the literary editor of The Providence Journal. He argued that Lovecraft was one of the most significant Rhode Island authors and that it was regrettable that he received little attention from mainstream critics at the time. Mystery and Adventure columnist Will Cuppy of the New York Herald Tribune recommended to readers a volume of Lovecraft's stories in 1944, asserting that "the literature of horror and macabre fantasy belongs with mystery in its broader sense."

By 1957, Floyd C. Gale of Galaxy Science Fiction said that Lovecraft was comparable to Robert E. Howard, stating that "they appear more prolific than ever," noting L. Sprague de Camp, Björn Nyberg, and August Derleth's usage of their creations. He

said that "Lovecraft at his best could build a mood of horror unsurpassed; at his worst, he was laughable." In 1962, Colin Wilson, in his survey of anti-realist trends in fiction The Strength to Dream, cited Lovecraft as one of the pioneers of the "assault on rationality" and included him with M. R. James, H. G. Wells, Aldous Huxley, J. R. R. Tolkien, and others as one of the builders of mythicised realities contending against what he considered the failing project of literary realism. Subsequently, Lovecraft began to acquire the status of a cult writer in the counterculture of the 1960s, and reprints of his work proliferated.

Michael Dirda, a reviewer for The Times Literary Supplement, has described Lovecraft as being a "visionary" who is "rightly regarded as second only to Edgar Allan Poe in the annals of American supernatural literature." According to him, Lovecraft's works prove that mankind cannot bear the weight of reality, as the true nature of reality cannot be understood by either science or history. In addition, Dirda praises Lovecraft's ability to create an uncanny atmosphere. This atmosphere is created through the feeling of wrongness that pervades the objects, places, and people in Lovecraft's works. He also comments favorably on Lovecraft's correspondence, and compares him to Horace Walpole. Particular attention is given to his correspondence with August Derleth and Robert E. Howard. The Derleth letters are called "delightful", while the Howard letters are described as being an ideological debate. Overall, Dirda

believes that Lovecraft's letters are equal to, or better than, his fictional output.

Los Angeles Review of Books reviewer Nick Mamatas has stated that Lovecraft was a particularly difficult author, rather than a bad one. He described Lovecraft as being "perfectly capable" in the fields of story logic, pacing, innovation, and generating quotable phrases. However, Lovecraft's difficulty made him ill-suited to the pulps; he was unable to compete with the popular recurring protagonists and damsel in distress stories. Furthermore, he compared a paragraph from The Shadow Out of Time to a paragraph from the introduction to The Economic Consequences of the Peace. In Mamatas' view, Lovecraft's quality is obscured by his difficulty, and his skill is what has allowed his following to outlive the followings of other then-prominent authors, such as Seabury Quinn and Kenneth Patchen.

In 2005, the Library of America published a volume of Lovecraft's works. This volume was reviewed by many publications, including The New York Times Book Review and The Wall Street Journal, and sold 25,000 copies within a month of release. The overall critical reception of the volume was mixed. Several scholars, including S. T. Joshi and Alison Sperling, have said that this confirms H. P. Lovecraft's place in the western canon. The editors of The Age of Lovecraft, Carl H. Sederholm and Jeffrey Andrew Weinstock, attributed the rise of mainstream popular and academic interest in Lovecraft to this volume, along with the Penguin Classics volumes and the Modern

Library edition of At the Mountains of Madness. These volumes led to a proliferation of other volumes containing Lovecraft's works. According to the two authors, these volumes are part of a trend in Lovecraft's popular and academic reception: increased attention by one audience causes the other to also become more interested. Lovecraft's success is, in part, the result of his success.

Lovecraft's style has often been subject to criticism, but scholars such as S. T. Joshi have argued that Lovecraft consciously utilized a variety of literary devices to form a unique style of his own—these include prose-poetic rhythm, stream of consciousness, alliteration, and conscious archaism. According to Joyce Carol Oates, Lovecraft and Edgar Allan Poe have exerted a significant influence on later writers in the horror genre. Horror author Stephen King called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale." King stated in his semi-autobiographical non-fiction book Danse Macabre that Lovecraft was responsible for his own fascination with horror and the macabre and was the largest influence on his writing.

Lovecraft's writings have influenced the speculative realist philosophical movement during the early twenty-first century. The four founders of the movement, Ray Brassier, Iain Hamilton Grant, Graham Harman, and Quentin Meillassoux, have cited Lovecraft as an inspiration for their worldviews. Graham Harman wrote a monograph, Weird Realism: Lovecraft and Philosophy, about Lovecraft and philosophy. In it, he argues that Lovecraft was a "productionist" author. He describes Lovecraft as having been an author who was uniquely obsessed with gaps in human knowledge. He goes further and asserts Lovecraft's personal philosophy as being in opposition to both idealism and David Hume. In his view, Lovecraft resembles Georges Braque, Pablo Picasso, and Edmund Husserl in his division of objects into different parts that do not exhaust the potential meanings of the whole. The anti-idealism of Lovecraft is represented through his commentary on the inability of language to describe his horrors. Harman also credits Lovecraft with inspiring parts of his own articulation of object-oriented ontology. According to Lovecraft scholar Alison Sperling, this philosophical interpretation of Lovecraft's fiction has caused other philosophers in Harmon's tradition to write about Lovecraft. These philosophers seek to remove human perception and human life from the foundations of ethics. These scholars have used Lovecraft's works as the central example of their worldview. They base this usage in Lovecraft's arguments against anthropocentrism and the ability of the human mind to truly understand the universe. They have also played a role in Lovecraft's improving literary reputation by focusing on his interpretation of ontology, which gives him a central position in Anthropocene studies.

is for Innocent X

Pope Innocent X (6 May 1574 – 7 January 1655), born Giovanni Battista Pamphilj (or Pamphili), was head of the Catholic Church and ruler of the Papal States from 15 September 1644 to his death, in January 1655.

Born in Rome of a family from Gubbio in Umbria who had come to Rome during the pontificate of Pope Innocent IX, Pamphili was trained as a lawyer and graduated from the Collegio Romano. He followed a conventional cursus honorum, following his uncle Girolamo Pamphili as auditor of the Rota, and like him, attaining the position of cardinal-priest of Sant'Eusebio. Before becoming pope, Pamphili served as a papal diplomat to Naples, France, and Spain.

Pamphili succeeded Pope Urban VIII (1623–44) on 15 September 1644 as Pope Innocent X, after a contentious papal conclave that featured a rivalry between French and Spanish factions.

Innocent X was one of the most politically shrewd pontiffs of the era, greatly increasing the temporal power of the Holy See. Major political events in which he was involved included the English Civil War, conflicts with French church officials over financial fraud issues, and hostilities with the Duchy of Parma related to the First War of Castro.

In theology, Innocent X issued a papal bull condemning the beliefs of Jansenism.

is for Jean-Baptiste Le Rond d'Alembert

Jean-Baptiste le Rond d'Alembert (/ˌdæləmˈbɛər/ DAL-əm-BAIR; French: [ʒɑ̃ batist lə ʁɔ̃ dalɑ̃bɛʁ]; 16 November 1717 – 29 October 1783) was a French mathematician, mechanician, physicist, philosopher, and music theorist. Until 1759 he was, together with Denis Diderot, a co-editor of the Encyclopédie. D'Alembert's formula for obtaining solutions to the wave equation is named after him. The wave equation is sometimes referred to as d'Alembert's equation, and the fundamental theorem of algebra is named after d'Alembert in French.

is for King C. Gillete

King Camp Gillette (January 5, 1855 – July 9, 1932) was an American businessman who invented a bestselling safety razor. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. Gillette is often erroneously credited with inventing the so-called razor and blades business model in which razors are sold cheaply to increase the market for blades. However, Gillette Safety Razor Company adopted the business model from its competitors.

is for Leo X

Pope Leo X (Italian: Leone X; born Giovanni di Lorenzo de' Medici, 11 December 1475 – 1 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death, in December 1521.

Born into the prominent political and banking Medici family of Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly war that succeeded in securing his nephew Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances.

In Protestant circles, Leo is associated with granting indulgences for those who donated to reconstruct St. Peter's Basilica, a practice that was soon challenged by Martin Luther's 95 Theses. Leo rejected the Protestant Reformation, and his Papal bull of 1520, Exsurge Domine, condemned Luther's condemnatory stance, rendering ongoing communication difficult.

He borrowed and spent money without circumspection and was a significant patron of the arts. Under his reign, Marco Girolamo Vida began composing at the Pope's request a Virgilian Latin epic poem about the life of Jesus called the Christiad, progress was made on the rebuilding of St. Peter's Basilica, and artists such as Raphael decorated the Vatican rooms. Leo also reorganised the Roman University, and promoted Renaissance humanist study of literature, poetry, and Classics. He died in 1521 and is buried in Santa Maria sopra Minerva, Rome. He was the last pope not to have been in priestly orders at the time of his election to the papacy.

Leo has been criticized for his handling of the events of the papacy. He had a musical and pleasant voice and a cheerful temper. He was eloquent in speech and elegant in his manners and epistolary style. He enjoyed music and the theatre, art and poetry, the masterpieces of the ancients and the creations of his contemporaries, especially those seasoned with wit and learning. He especially delighted in ex tempore Latin verse-making (at which he excelled) and cultivated improvisatori. He is said to have stated, "Let us enjoy the papacy since God has given it to us", Ludwig von Pastor says that it is by no means certain that he made the remark; and historian Klemens Löffler says that "the Venetian ambassador who related this of him was not unbiased, nor was he in Rome at the time." However, there is no doubt that he was by nature pleasure-loving and that the anecdote reflects his casual attitude to the high and solemn office to which he had been called. On the other hand, in spite of his worldliness, Leo prayed, fasted, went to confession before celebrating Mass in public, and conscientiously participated in the religious services of the Church. To the virtues of liberality, charity, and clemency he added the Machiavellian qualities of deception and shrewdness, so highly esteemed by the princes of his time.

The character of Leo X was formerly assailed by lurid aspersions of debauchery, murder, impiety, and atheism. In the 17th century it was estimated that 300 or 400 writers, more or less, reported (on the authority of a single polemical anti-Catholic

source) a story that when someone had quoted to Leo a passage from one of the Four Evangelists, he had replied that it was common knowledge "how profitable that fable of Christe hath ben to us and our companie". These aspersions and more were examined by William Roscoe in the 19th century (and again by Ludwig von Pastor in the 20th) and rejected. Nevertheless, even the eminent philosopher David Hume, while claiming that Leo was too intelligent to believe in Catholic doctrine, conceded that he was "one of the most illustrious princes that ever sat on the papal throne. Humane, beneficent, generous, affable; the patron of every art, and friend of every virtue". Martin Luther, in a conciliatory letter to Leo, himself testified to Leo's universal reputation for morality:

The final report of the Venetian ambassador Marino Giorgi supports Hume's assessment of affability and testifies to the range of Leo's talents. Bearing the date of March 1517 it indicates some of his predominant characteristics:

Leo is the fifth of the six popes who are unfavourably profiled by historian Barbara Tuchman in The March of Folly, and who are accused by her of precipitating the Protestant Reformation. Tuchman describes Leo as a cultured – if religiously devout – hedonist.

Leo X's love for all forms of art stemmed from the humanistic education he received in Florence, his studies in Pisa and his extensive travel throughout Europe when a youth. He loved the Latin poems of the humanists, the tragedies of the Greeks and the comedies of Cardinal Bibbiena and Ariosto, while relishing the accounts sent back by the explorers of the New World. Yet "Such a humanistic interest was itself religious. ... In the Renaissance, the vines of the classical world and the Christian world, of Rome, were seen as intertwined. It was a historically minded culture where artists' representations of Cupid and the Madonna, of Hercules and St. Peter could exist side-by-side".

Pastor says that "From his youth, Leo, who had a fine ear and a melodious voice, loved music to the pitch of fanaticism". As pope he procured the services of professional singers, instrumentalists and composers from as far away as France, Germany and Spain. Francesco Canova da Milano, the foremost lute composer of his time, was prominent in his musical establishment. Next to goldsmiths, the highest salaries recorded in the papal accounts are those paid to musicians, who also received largesse from Leo's private purse. Their services were retained not so much for the delectation of Leo and his guests at private social functions as for the

enhancement of religious services on which the pope placed great store. The standard of singing of the papal choir was a particular object of Leo's concern, with French, Dutch, Spanish and Italian singers being retained. Large sums of money were also spent on the acquisition of highly ornamented musical instruments, and he was especially assiduous in securing musical scores from Florence. He also fostered technical improvements developed for the diffusion of such scores. Ottaviano Petrucci, who had overcome practical difficulties in the way of using movable type to print musical notation, obtained from Leo X the exclusive privilege of printing organ scores (which, according to the papal brief, "adds greatly to the dignity of divine worship") for a period for 15 years from 22 October 1513. In addition to fostering the performance of sung Masses, he promoted the singing of the Gospel in Greek in his private chapel.

Even those who defend him against the more outlandish attacks on his character acknowledge that he partook of entertainment such as masquerades, "jests," fowling, and hunting boar and other wild beasts. According to one biographer, he was "engrossed in idle and selfish amusements".

Leo indulged buffoons at his Court, but also tolerated behaviour which made them

the object of ridicule. One case concerned the conceited improvisatore Giacomo Baraballo, Abbot of Gaeta, who was the butt of a burlesque procession organised in the style of an ancient Roman triumph. Baraballo was dressed in festal robes of velvet and with ermine and presented to the pope. He was then taken to the piazza of St Peter's and was mounted on the back of Hanno, a white elephant, the gift of King Manuel I of Portugal. The magnificently ornamented animal was then led off in the direction of the Capitol to the sound of drums and trumpets. But while crossing the bridge of Sant'Angelo over the Tiber, the elephant, already distressed by the noise and confusion around him, shied violently, throwing his passenger onto the muddy riverbank below.

Leo's biographer, Carlo Falconi, says Leo hid a private life of moral irregularity behind a mask of urbanity. Scabrous verse libels of the type known as pasquinades were particularly abundant during the conclave which followed Leo's death in 1521 and made imputations about Leo's unchastity, implying or asserting homosexuality. Suggestions of homosexual attraction appear in works by two contemporary historians, Francesco Guicciardini and Paolo Giovio. Zimmerman notes Giovio's "disapproval of the pope's familiar banter with his chamberlains – handsome young men from noble families – and the advantage he was said to take of them."

Luther spent a month in Rome in 1510, three years before Leo became pontiff, and was disillusioned at the corruption he found there. In 1520, the year before his excommunication from the Catholic Church, Luther claimed that Leo lived a "blameless life." However, Luther later distanced himself from this claim and alleged in 1531 that Leo had vetoed a measure that cardinals should restrict the number of boys they kept for their pleasure, "otherwise it would have been spread throughout the world how openly and shamelessly the pope and the cardinals in Rome practice sodomy." Against this allegation is the papal bull Supernae dispositionis arbitrio from 1514 which, inter alia, required cardinals to live "... soberly, chastely, and piously, abstaining not only from evil but also from every appearance of evil" and a contemporary and eye-witness at Leo's Court (Matteo Herculaneo), emphasized his belief that Leo was chaste all his life.

Historians have dealt with the issue of Leo's sexuality at least since the late 18th century, and few have given credence to the imputations made against him in his later years and decades following his death, or else have at least regarded them as unworthy of notice; without necessarily reaching conclusions on whether he was homosexual. Those who stand outside this consensus generally fall short of concluding with certainty that Leo was unchaste during his pontificate. Joseph McCabe accused Pastor of untruthfulness and Vaughan of lying in the course of their

treatment of the evidence, pointing out that Giovio and Guicciardini seemed to share the belief that Leo engaged in "unnatural vice" (homosexuality) while pope.

Leo X made charitable donations of more than 6,000 ducats annually to retirement homes, hospitals, convents, discharged soldiers, pilgrims, poor students, exiles, cripples, and the sick and unfortunate.

is for Martin Luther King Jr.

Martin Luther King Jr. (born Michael King Jr.; January 15, 1929 – April 4, 1968) was an American Baptist minister, activist, and political philosopher who was one of the most prominent leaders in the civil rights movement from 1955 until his assassination in 1968. He advanced civil rights for people of color in the United States through the use of nonviolent resistance and nonviolent civil disobedience against Jim Crow laws and other forms of legalized discrimination.

A Black church leader, King participated in and led marches for the right to vote, desegregation, labor rights, and other civil rights. He oversaw the 1955 Montgomery bus boycott and later became the first president of the Southern Christian Leadership Conference (SCLC). As president of the SCLC, he led the unsuccessful Albany Movement in Albany, Georgia, and helped organize some of the nonviolent 1963 protests in Birmingham, Alabama. King was one of the leaders of the 1963 March on Washington, where he delivered his "I Have a Dream" speech on the steps of the Lincoln Memorial, and helped organize two of the three Selma to Montgomery marches during the 1965 Selma voting rights movement. The civil rights movement achieved pivotal legislative gains in the Civil Rights Act of 1964, the Voting Rights Act of 1965, and the Fair Housing Act of 1968. There were several dramatic standoffs with segregationist authorities, who often responded violently.

King was jailed several times. Federal Bureau of Investigation (FBI) director J. Edgar

Hoover considered King a radical and made him an object of the FBI's COINTELPRO from 1963 forward. FBI agents investigated him for possible communist ties, spied on his personal life, and secretly recorded him. In 1964, the FBI mailed King a threatening anonymous letter, which he interpreted as an attempt to make him commit suicide. On October 14, 1964, King won the Nobel Peace Prize for combating racial inequality through nonviolent resistance. In his final years, he expanded his focus to include opposition towards poverty and the Vietnam War.

In 1968, King was planning a national occupation of Washington, D.C., to be called the Poor People's Campaign, when he was assassinated on April 4 in Memphis, Tennessee. James Earl Ray, a fugitive from the Missouri State Penitentiary, was convicted of the assassination, though the King family believes he was a scapegoat. After a 1999 wrongful death lawsuit ruling named unspecified "government agencies" among the co-conspirators, a Department of Justice investigation found no evidence of a conspiracy. The assassination remains the subject of conspiracy theories. King's death was followed by national mourning, as well as anger leading to riots in many U.S. cities. King was posthumously awarded the Presidential Medal of Freedom in 1977 and the Congressional Gold Medal in 2003. Martin Luther King Jr. Day was established as a holiday in cities and states throughout the United States beginning in 1971; the federal holiday was first observed in 1986. The Martin Luther King Jr.

Memorial on the National Mall in Washington, D.C., was dedicated in 2011.

is for Ne Win

Ne Win (Burmese: နေဝင်း; IPA: [nè wɪ́ɰ̃]; 24 May 1911 – 5 December 2002), born Shu Maung (Burmese: ရှူမောင်; IPA: [/ʃù màʊ̃̀/]), was a Burmese army general and politician who served as Prime Minister of Burma from 1958 to 1960 and 1962 to 1974, and also President of Burma from 1962 to 1981. Ne Win was Burma's military dictator during the Socialist Burma period of 1962 to 1988.

Ne Win founded the Burma Socialist Programme Party (BSPP) and overthrew the democratic Union Parliament of U Nu in the 1962 Burmese coup d'état, establishing Burma as a one-party socialist state under the Burmese Way to Socialism ideology. Ne Win was Burma's de facto leader as chairman of the BSPP, serving in various official titles as part of his military government, and was known by his supporters as U Ne Win. His rule was characterized by a non-aligned foreign policy, isolationism, one-party rule, economic stagnation, and superstition. Ne Win resigned in July 1988 in response to the 8888 Uprising that overthrew the Burma Socialist Programme Party, and was replaced by the military junta of the State Law and Order Restoration Council (SLORC). He held minor influence in the 1990s but was eventually placed under house arrest, under which he died in 2002.

In foreign affairs, Ne Win followed a strictly neutralist policy during the Cold War, participating in the Non-Aligned Movement and keeping his distance from both the United States and the Soviet Union. On the other hand, his relations with Mao Zedong and the People's Republic of China were initially excellent, but were temporarily broken between 1967 and 1971, due to Mao's covert support for the Communist insurgency within Burma and the outbreak of anti-Chinese riots by regime supporters; however, in March 1971 relations were fully restored and Chinese economic aid continued.

Following independence there were uprisings in the army and among ethnic minority groups. In late 1948, after a confrontation between army rivals, Ne Win was appointed second in command of the army and his rival Bo Zeya, a communist commander and fellow member of the Thirty Comrades, took a portion of the army into rebellion. Ne Win immediately adopted a policy of creating Socialist militia battalions called 'Sitwundan' under his personal command with the approval of U Nu. On 31 January 1949, Ne Win was appointed Chief of Staff of the Armed Forces (Tatmadaw) and given total control of the army, replacing General Smith Dun, an ethnic Karen. He rebuilt and restructured the armed forces along the ruling Socialist Party's political lines, but the country was still split and the government was ineffective. He was Minister of Defense from April 1949 to September 1950.

He was asked to serve as interim prime minister from 28 October 1958 by U Nu, when the AFPFL split into two factions and U Nu barely survived a motion of no-confidence against his government in parliament. Ne Win restored order during the period known as the "Ne Win caretaker government". Elections were held in February 1960 and Ne Win handed back power to the victorious U Nu on 4 April 1960.

is for O. J. Simpson

Orenthal James Simpson (July 9, 1947 – April 10, 2024), also known by his nickname "the Juice", was an American professional football player, actor, and media personality who played in the National Football League (NFL) for 11 seasons, primarily with the Buffalo Bills. Simpson is regarded as one of the greatest running backs of all time, but his success was overshadowed by his criminal trial and controversial acquittal for the murders of his former wife Nicole Brown and her friend Ron Goldman in 1994.

Simpson played college football for the USC Trojans, where he won the Heisman Trophy as a senior, and was selected first overall by the Bills in the 1969 NFL/AFL draft. During his nine seasons with the Bills, he received five consecutive Pro Bowl and first-team All-Pro selections from 1972 to 1976. He also led the league in rushing yards four times, in rushing touchdowns twice, and in points scored in 1975. Simpson became the first NFL player to rush for more than 2,000 yards in a season, earning him NFL Most Valuable Player (MVP), and is the only NFL player to do so in a 14-game regular season. He holds the record for the single-season yards-per-game average at 143.1. He acquired the nickname "Juice" as a play on "OJ", a common abbreviation for orange juice. After retiring with the San Francisco 49ers in 1979, he acted in film and television, became a sportscaster, and was a spokesman for a wide variety of products and companies, notably Hertz. He was inducted to the College